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Taj Mahal, Agra
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Information on Taj Mahal
The crowning glory of the Agra is the Taj Mahal, a
monument of love and imagination, that represents
India to the world. It is the most famous monument
in Agra and one of the Seven Wonders of the World.
The Taj Mahal is an enduring monument to love,
with a continually fulfilling beauty. This
monument is one of the most visited and most
photographed places in the world. Taj Mahal was
built by Shah Jahan in the memory of his beautiful
wife Mumtaz Mahal. Taj Mahal was |
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the
culmination point of Indo-Persian architecture. The Taj
Mahal is best visited in early morning and late evening.
Regardless of whether you see it ethereally floating in
the moonlight, blushing in the rosy glow of dawn or
reflected in the pools of its gardens, it is enchanting.
Perhaps the most moving view of the Taj Mahal is from a
little octagonal tower in the Agra fort across the River
Yamuna. It was here the Emperor Shah Jahan spent his
last days in imprisonment, gazing at the tomb of his
wife.
History of Taj Mahal
Shah Jahan, fifth of the Great Mughals was devoted to
his wife Mumtaz Mahal (Jewel of the Palace), though he
still insisted that she travel with him in all states of
health. Eighteen years after Shah Jahan became emperor,
tragedy struck. Mumtaz Mahal, the beloved wife of Shah
Jahan died at the age of 39 giving birth to her 14th
child in 1630. On her deathbed it is said that she asked
him to show the word how much they loved one another. It
is also said that his hair went grey almost overnight,
and observed a very simple life. At the same time he
turned away from running an empire and became more
involved with his other great love, architecture. The
emperor went into mourning for two years and vowed to
built a sublime mausoleum in her memory, unlike any
other in the world. He built this mausoleum in her
memory and named it as the Taj Mahal (The Crown of the
Palace), a peerless monument in pristine marble. About
20,000 labourers built this world renowned monument in
about 22 years. When the Taj Mahal was constructed, the
Mughal Empire was already past its prime. The Taj,
despite its unquestionable beauty was an extravagance
which the empire could not pay for. Shah Jahan was
imprisoned by his son Aurangzeb and confined to his
marble palace at the Red Fort. Here he lived out his
remaining eight years, a prisoner gazing across the
Yamuna river at his beloved wife’s memorial. The state
of the Taj declined with the fortunes of the Mughal
Empire, the gardens becoming quite overgrown with weeds.
In the 19th century the Taj was a favourite place for
courting couples and open air balls were held by the
British outside the tomb itself. Lord Bentinck, Governor
General planned to have the Taj dismantled and sold off
in pieces by auction in England. In this way, wealthy
Victorians could have a bit of the Taj Mahal in their
gardens. Cranes were even erected in the garden. The
plan was only abandoned when a pilot auction of part of
Agra’s Red Fort failed to attract enough interest.
Fortunately, Lord Curzon, one of Beatnik’s successors
(1899-1905), repaired much of the damage done over the
centuries, reset the marble platform around the Taj, and
cleaned up the gardens. The Taj can be reached from
three directions. The east entrance is often used by
groups arriving by coach, the south is from the township
that sprang up during the construction of the Taj and
the west entrance is that usually used by persons
arriving by car or rickshaw from the Red Fort. From
these entrances you approach the gateway proper.
Myths surround masterpieces and the Taj Mahal is no
exception. On completion it is said that the emperor
ordered the chief mason’s right hand to be cut off to
prevent him from repeating this masterpiece. According
to other legend, Shah Jahan intended to build a replica
for himself in black marble on the other side of the
river and both should be connected by a bridge made in
alternate blocks of black and white marble. Yet another
suggests that the inlaid pietra dura work was carried out
by Europeans. Although no one knows who drew up the
plans, the overall work is so clearly the result of a
flowering of architectural development that had been
taking place through the Mughal period, fusing the
traditions of Indian Hindu and Persian Muslim into a
completely distinct form, that there is no escaping the
conclusion that its designers must have had long
experience on the developing Mughal tradition, working
to meet the demands of their Indian Muslim patron.
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Construction of Taj Mahal
The height of this lofty monument is 187 feet at
the central dome. The material was brought in from
all over India and Central Asia. The White Marble
was brought from Makrana, near Jodhpur in
Rajasthan, Sandstone from Fatehpur Sikri, Jasper
from Punjab, Jade and Crystal from China,
Turquoise from Tibet, Lapez Lazuli from
Afghanistan and Ceylon, Sapphire from Bundelkhand,
Crysolite from Egypt, Onyx and Amethyst from
Persia, Agate (various colours) from Yemen,
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Malachite (dark green) from Russia, diamonds from
Golconda in Central India and mother of pearl from the
Indian ocean. A 3.2 km ramp was used to lift material up
to the level of the dome and because of the river bank
site and the sheer weight of the building, boreholes
were filled with metal coins and fragments to provide
suitable foundations. The skilled artisans inlaid the
white marble edifice with precious stones and conjured a
lacy stone screen around the cenotaphs of the emperor
and his beloved. Ustad Isa Afandi was considered as the
designer of the Taj Mahal. This monument was a symbol of
Shah Jahan's eternal love for his wife Mumtaz Mahal. The
main interesting places in Taj Mahal are the Jilo Khana
at the main red sandstone entrance. The Jilo Khana is
about 204 yards long and 150 yards wide.
One aspect of the unique beauty of
the Taj is the way in which subtlety is blended with
grandeur and a massive overall design is matched with
immaculately intricate execution. All these features
contribute to the breath taking first impression you
gain as you pass through the arch of the entrance
gateway. You will already have seen the dome of the tomb
in the distance, looking almost like a miniature, but as
you walk through the arcade of shops and into the open
square before the main entrance the Taj itself is so
well hidden that you almost wonder where it can be. The
glorious surprise is kept until the last moment, and
before you can experience it you are faced with the
massive red sandstone gateway of the entrance, designed
to guard the enormous wealth inside as well as to
symbolize the divide between the secular world and
paradise.
The Gateway completed in 1648, stands, 30 m high. The
small domed pavilions on top are Hindu in style and
usually signify regality. The huge brass door is recent.
The original doors were solid silver and decorated with
1100 nails whose heads were contemporary silver coins.
Along with some other treasures, they were plundered by
the Jats who ravaged the Mughal empire after its
collapse. The engravers skillfully enlarged and
lengthened the letters as their distance from the ground
increased. This created the illusion of consistency.
Although the gateway is remarkable in itself, one of its
functions is to prevent you getting any glimpse of the
tomb inside until you are right in the doorway itself.
That first view suddenly unfolds from the framing
archway. At first only the tomb is visible, stunning in
its nearness, but as you move forward the minarets come
into view. Beyond the entrance and into the sunlight, it
is a good idea to move either right or left to avoid the
inevitable crowds. From here, see how the people walking
around the tomb are dwarfed by the 70 m high dome.
The Taj garden, well kept though it is nowadays, is
nothing compared with its former glory. The whole of the
Taj complex measures 580 x 300 m and the garden 300 x
300 m. The guiding principle is one of symmetry. The
four quadrant lawns, separated by the watercourses
(rivers of heaven) emanating from the central, raised
pool, were divided into 16 flowers beds, making a total
of 64. Each bed was planted with 400 plants. The trees,
all carefully planted to maintain the symmetry were
either cypress (signifying death) or fruit trees (life).
The channels were stocked with fish and the gardens with
nightingales, peacocks and other colourful birds. Guards
dressed in white robes patrolled the area, reputedly
scaring off birds of prey with pea-shooters. Nobles
visited them for picnics and celebrations – that is why
there are stables and guesthouses in the forecourt area.
It is well worth wandering along the side avenues for
not only is it much more peaceful but also good for
framing photos of the tomb with foliage.
On the east and west sides of the tomb are identical red
sandstone buildings. On the W (left Hand side) is a
mosque. The replica on the other side is known as the
Jawab (Answer). This cannot be used for prayer as it
faces away from Mecca. The four minarets (41.6 m high)
at each corner of the plinth provide balance to the
tomb. On each pillar is written a letter (R,H,M,N) which
together spell the word ar-Rahman (The All Merciful).
This is one of the 99 names of Allah. There is only one
point of access to the plinth (6.7 m high and 95 m
square) and tomb, a double staircase on the S side
(facing the entrance). Here, visitors must either remove
their shoes or have cloth covers tied over them. The
tomb is square with beveled corners. Each side is 56.6 m
long with a large central arch flanked by two pointed
arches. At each corner smaller domes rise while in the
centre is the main dome topped by a brass finial. The
dome is actually a double dome.
The interior of the mausoleum comprises of a lofty
central chamber, a crypt immediately below this and four
octagonal corner rooms originally intended to house the
graves of other family members. Shah Jahan’s son and
usurper, Aurangzeb, failed to honour this wish. The
central chamber contains replica tombs, the real ones
being in the crypt. It was customary to have a public
tomb and a private one. The public tomb was originally
surrounded by a jewel encrusted silver screen. Aurangzeb
removed this fearing it might be stolen and replaced it
with an octagonal screen of marble and inlaid precious
stones, the cost being Rs. 50,000. The lattice (jail)
screens are carved from one block of marble. The
entrance to the tombs and the finials surmounting the
screen have been inlaid, a most difficult task. Some
flowers have as many as 64 pieces making up the petals
on the borders of the screen. Hanging above the tombs is
a cairene lamp whose flame is supposed to never go out.
The original was stolen by the Jats. This one was given
by Lord Curzon, Governor General of British India, who
had it made in Egypt. The tomb of Mumtaz rests
immediately beneath the dome. Shah Jahan’s tomb is
larger and to the side, marked by a ‘male’ pen-box which
was the sin of a cultured or noble person. Not
originally intended to be placed there but squeezed in
by Aurangzeb, this flaws the otherwise perfect symmetry
of the whole complex. Both tombs are exquisitely inlaid
with semi-precious stones. Identical, real ones are in
the crypt below. The domed ceiling is being designed to
echo chants from the Koran and musician’s melodies.
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